Saturday, 14 March 2020

March 2020: Big Sky by Kate Atkinson

Brighton was the destination for March's meeting, described as a 'hoot'. A small and select gathering this month as the coronavirus pandemic begins to take hold. 

The big question seemed to be who was driving that silver BMW! 


A big thank you to Gill for hosting.  On reflection, most thought the book was enjoyable but had a few issues with structure (including that protracted series of short chapters at the end) - and maybe not a substantial enough central plot.

 

Next book is The Volunteer by Jack Fairweather: widely raved about and hopefully uplifting in these difficult times.  Meeting is scheduled to be in Billingshurst on 30th April - if we’re not all in long term isolation by then.  Happy reading in the meantime.

February 2020: War Doctor by David Nott

Another foray into non-fiction for February, and another gory one! The meeting was in Horsham. Thank you to Sheila for hosting.

The 2019 List

As we met in late November, there was no December meeting - so a total of nine books in 2019.

January: The Mere Wife by Maria Dahvana Headley

It looks like there was no February meeting - perhaps because of a short month and half term.

March: Winter by Ali Smith
April: Education by Tara Westover
May: Machines Like Us by Ian McEwan 
June: Circe by Madeline Miller
July: Milkman by Anna Burns

August: no meeting over the summer holiday 

September: No Way Out by Cara Hunter
October: Sweet Sorrow by David Nicholls
November: The Testaments by Margaret Atwood



January 2020: The Reluctant Fundamentalist by Mohsin Hamid

We met at Trish's to discuss this strange story - and rich discussion ensued. 

None of us could think of another book that we had read that took quite this form: half of a conversation. It was fascinating and thought-provoking.

Changez is the novel's protagonist, and it is his monologue we share as he sits in a restaurant in Pakistan with an American sharing his life story and the transformative moments surrounding the 9/11 attacks. 

Thursday, 21 November 2019

November 2019: The Testaments by Margaret Atwood



November's meeting took place earlier this week in Crawley, to discuss Margaret Atwood's Booker Prize winning sequel to The Handmaid's Tale. It's not often that we choose to read something still in hardback, but this was a special case!

Thank you to Jane for sourcing discussion questions:

1. Clothes play a dual role in the novel. They signal life stages as well as status and class: the pink, white and plum dresses worn by “special girls”; the drab prison-like stripes of the Econofamilies; and the green dresses of the betrothed girls. Did this aspect of the novel strike you as odd? Or is it actually not very different from our own obsession with brands and logos that convey a certain level of wealth and status?

2. Aunt Lydia tells us that Gilead actually has “an embarrassingly high emigration rate.” Can those who manage to leave Gilead ever truly “escape”?

3. Daisy/Jade is, to say the least, a reluctant revolutionary. But if you were her age and were asked to absorb all of the shocking information she has to process in a very short period of time, would you have reacted any differently?

4. After Agnes is assaulted, she recalls other girls who reported such incidents having been told that “nice girls did not notice the minor antics of men, they simply looked the other way,” which is a troubling parallel between Gilead and reality. Do you think there will ever come a time when women will feel unashamed to peak out when they are sexually assaulted? Or has this time already arrived in the age of #MeToo?

5. When Aunt Lydia dons the garb of the female stadium shooters, she says, “I felt a chill. I put it on. What else should I have done?” What would you have done?

6. Agnes’ interpretation of “Dick and Jane” showcases Margaret Atwood’s trademark wit, but there is more to it than that. Discuss the ways in which the author cleverly builds the sense of suspicion and fear that informs the way Agnes processes the events in her life at Ardua Hall.

7. Several references are made to shortages of basic necessities such as food and electricity. Birth defects and juvenile cancer also seem to plague Gilead. What do you think has caused this? Possibly environmental issues? Or the ongoing war?

8. Agnes considers her admittance to Hildegard Library to be a “golden key” that will reveal “the riches that lay within.” But it is here that she learns the truth about the Concubine Cut into Twelve Pieces, as well as the truth about her half-sister. Is there any book that provided you with a similar pivotal and eye-opening experience?

9. When Aunt Lydia relays the Aesop’s Fables story of Fox and Cat, she reveals much about her survival skills. Which are you --- Fox or Cat?

10. Did the book inspire you to take action so that Gilead remains fiction? Did you perhaps become more active in local politics or make a charitable donation to an organization that supports women’s rights?

11. The conclusion of THE HANDMAID’S TALE left readers with many tantalizing questions. Which of your questions were answered by THE TESTAMENTS? Which were not?

Friday, 25 October 2019

October 2019: Sweet Sorrow by David Nicholls

Sweet Sorrow was a funny and engaging novel -  and felt so perceptive about character, youth and the brutal tenderness of first love. 

Luckily, it was written by a man and so won't get dismissed as merely chick lit. 

The first 'leaving school' section was really enjoyable, encapsulating the awkwardness of the leavers' disco very effectively. Likewise the process of getting drunk as a teenager felt very real.  The Romeo and Juliet overlay to the Charlie and Fran story worked well, as did the humour generated by Charlie's theatrical reluctance and dramatically thwarted criminal activity; not to mention the casual character slaughter of residents of Billingshurst! 

It had something of a Sussex feel to it, too.  Full Fathom Five's base wasn't named explicitly but felt as though it was nestling nearby, somewhere in the Downs. 

Monday, 16 September 2019

September 2019: No Way Out by Cara Hunter

Fast-paced, well-plotted and very readable - this was a popular choice. We all enjoyed the canvas of police characters and their engaging back stories. It was a clever crime drama that made highly effective use of a variety of forms (newspaper, comments, official reports, first person narrative, free indirect style, transcripts of interviews) to create multiple voices. In turn this allowed for the development of credible red herrings and satisfyingly complex twists.