Friday, 15 April 2016

Year of Wonders by Geraldine Brooks


Thank you to Dawn for hosting this month's meeting and to June for sourcing the questions:

1. All of the characters in this novel have their failings and as a result they are all fully human. Are you surprised by the secrets Elinor and Michael Mompellion each reveal to Anna about their marriage? How do they change your feelings about each character? Do they make either seem weaker in a way?

2. The Bradford family bears the brunt of Mompellion's rage when they leave town to save themselves. However, weren't they only doing what every other noble family did in those days: run because they had the means to run? Setting aside the events near the end of the novel (which make it clear that one would be hard-pressed to find a redeeming quality in any of them), can you really blame the Bradfords for running?

3. How much of Mompellion's push for the quarantine had to do with the secrets he shared with Elinor? Did his own dark side and self-loathing push him to sacrifice the town or was he really acting out of everyone's best interests?

4, Keeping in mind that this story takes place a good twenty-five years before the Salem witch trials in Massachusetts, what is the role of the Gowdie women in the novel? What is it about these women that drives their neighbors to murderous rage? How does their nonconformity lead to their becoming scapegoats?

5. How would you explain Anna's mental and spiritual unraveling? What are the pivotal experiences leading up to her breakdown and her eventual rebirth?

6. Discuss the feminist undertones of the story. How does each female character—Anna, Elinor, the Gowdies, and even Anna's stepmother—exhibit strengths that the male characters do not?

7. In a story where the outcome is already known from the very beginning—most of the villagers will die—discuss the ways in which the author manages to create suspense.

8. The author creates an incredible sense of time and place with richly textured language and thoughtful details—of both the ordinary (everyday life in Eyam) and the extraordinary (the gruesome deaths of the villagers). Discuss some of the most vivid images and their importance to the story and to your own experience reading it.

9. Can we relate the story of this town's extraordinary sacrifice to our own time? Is it unrealistic to expect a village facing a similar threat to make the same decision nowadays? What lessons might we learn from the villagers of Eyam?
(Questions issued by publisher.)

And some others which might be interesting:
In what ways did Elinor and Michael Mompellion become parental figures to Anna?

How and why did the people become divided as the plague devastated the village?

What supernatural beliefs surfaced as a result of the plague, and how did those beliefs conflict with religion?

What about Anys Gowdie appealed to Anna?

How did women in the novel show greater strength than the men possessed?

Lust is one of the sins explored in this novel through Elinor, Jane Martin, Anys Gowdie and Anna. What was the motivation and result of lust for these women?

Anna and Michael Mompellion experienced a loss of faith by the end of the novel. How did they each cope with this loss?

Sunday, 20 March 2016

Go Set A Watchman by Harper Lee - March 2016

The sad news of the death of Harper Lee last month has prompted us to make Go Set A Watchman our focus this time round.  I'm looking forward to tomorrow evening's discussion of this controversial novel.



Here are the discussion questions


  1. What is the significance of the title?
  2. This book represents one of the most emotive publishing coups in living memory (comparable with Harry Potter releases, perhaps?) What is your position on To Kill A Mockingbird, and what do you know of the circumstances surrounding the writing, publication and reception of Go Set A Watchman?
  3. To Kill A Mockingbird and Go Set A Watchman are separated by two (fictional) decades. Do they map onto each other happily?
  4. The novel begins with Jean Louise's fifth return journey to Maycomb having 'succeeded in folding herself up into the wall' half-naked and having to be rescued by a porter on her train journey. How does this establish the tone?
  5. What was your reaction to page 13's 'nightmare'?
  6. Some readers have complained that the wide sociopolitical allusions as well as the contemporaneous popular culture references make the novel difficult to read in the UK in 2016. Did these detract from your enjoyment of the novel?
  7. What are the narrative strengths of the novel?
  8. And its weaknesses?
  9. And the inevitable Atticus question: is he a racist and have your views of him changed?


Thursday, 3 March 2016

All The Light We Cannot See by Anthony Doerr

February's book was by Anthony Doerr:


We unanimously loved All the Light We Cannot See and it provoked much discussion about the compelling narrative structure.  Definitely one we’ll all be recommending. 

Thanks to Rosanna for hosting.

Sunday, 17 January 2016

Waiting for Sunrise by William Boyd

An intriguing start to our reading year with William Boyd's difficult to genre-alise WW1 novel set in Vienna, England and Switzerland.  It deals with relationships, sexuality, psychology and espionage.  (And one or two other things as well.)

Thank you to Dawn for hosting and for providing this month's questions:

1.        The opening of the book has similarities with Atonement.  In your opinion should more of this thread of the story be developed?

2.       Parts of the story are built on espionage and intrigue; how well are those developed?

3.       Lysander struggles with the guilt of killing the men as he tried to get to the French lines of battle; he also uses Psycho-analysis how did you respond to the ways this part of the text is presented.

4.       How do you respond to the presentation of Lysander’s relationships in the text, particularly with Hettie?

5.       How did you find the presentation of the story as a whole?

6.       What is the significance of the title?

7.       Was Lysander’s mother presented as a sympathetic character?  Why or why not?

Tuesday, 22 December 2015

2015's Year of Books

Another eclectic mix for this year's eleven books. Some old, some new, some good, some bad, some ugly.

December - Remember Me by Melvyn Bragg
November - The Moonstone by Wilkie Collins
October -  Mrs Hemmingway by Naomi Wood
September - The Last Days of Rabbit Hayes by Anna McPartlin
July - The Book of You by Claire Kendall
June - Twelve Years A Slave by Solomon Northup
May - Mrs Dalloway by Virginia Woolf
April -  Miss Carter's War by Sheila Hancock
March - The Postmistress by Sarah Blake
February - Perfect by Rachel Joyce
January - Skios by Michael Frayn

Thank you to everyone for another year of lively discussions, and apologies for a small blogging gap in the middle of the year. I know what my New Year's resolution will be! 

Happy reading over the Christmas holidays. January begins with Waiting for Sunrise by William Boyd. Meeting date: January 18th 2016 7.30pm

The Moonstone by Wilkie Collins: November 2015

A last-minute curriculum related choice after the library let us down again!

Remember Me by Melvyn Bragg: December 2015

Unusually, not a single person had finished this book!

All agreed it was raw and compelling and an emotional read, and there was lots of discussion about the authenticity and accuracy of Bragg's 'autobiographical' story in the form of a novel.